I received an email this morning from Phratry Records about a very interesting Portland, Oregon noise band called Palo Verde. Their album, Zero Hour, is a lengthy and super-sludgy instrumental LP that propagates a level of amplified muck worthy of The Melvins while also providing meditative slabs of psychedelia. Repetitious and prone to areas of free form musical assault, at times Zero Hour reminds me of the more abrasive aspects of Black Flag's The Process Of Weeding Out and combines them with Earth's recent Americana-laced desert rock. There's less jazz than to it than there is No Wave, "pigfuck" or drone metal, but improvisation is at its core.
A veritable sea of hits began with Ellie Greenwich, who passed away yesterday at the age of 68 . "Leader Of The Pack" ”Da Do Run Run” Without trying, you've heard at least a dozen of her songs, her name synonymous with "girl groups," and a pre-lethal Phil Spector . Farewell to a hit machine. Sincerely, Letters From A Tapehead
A well-designed lyric video surfaced for Camae Ayewa's (a.k.a. Moor Mother) "We Got The Jazz," a new single featured in her upcoming release Jazz Codes Deluxe , which is an enhanced digital version of 2022's excellent Jazz Codes . From the desk of Stereo Sanctity: “‘ We Got The Jazz ’ is me thinking about how mediocre a lot of popular music is, about its capitalistic structures and how those placements are bought and paid for,” Ayewa said of the song’s meaning. “I'm speaking about the whitewashing of who's allowed to participate in jazz, who is allowed to participate in poetry, and asking where the room for innovation is, now and in the future. It’s also me thinking about my jazz band, Irreversible Entanglements, and how we’ve toured the world destroying stages, uplifting audiences, and inspiring everyone on the jazz scene with or without recognition. I'm also speaking about my own influence on the culture.” Jazz Codes Deluxe will be released 5/19/23 ...
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